Showing posts with label History. Show all posts
Showing posts with label History. Show all posts

12 June 2023

Research Note - Kalon Lama Champa Tendar / Jampa Tendar (1870–1923)

 

Kalon Lama Champa Tendar, from 'China in Turmoil' by L.M. King (1927)

This post is intended to be a useful note for Tibet Researchers interested in the Kalön Lama Champa Tendar / Jampa Tendar (Byams pa bstan dar, 1870–1923).

 

I noticed a photograph posted recently on Twitter (10 May 2023; see here) which mistakenly identifies the Kalön Lama (bka' blon bla ma) Tenpa Jamyang (Bstan pa ’jam dyangs, 1888–1944) as Kalön Lama (bka' blon bla ma) Champa Tendar / Jampa Tendar (Byams pa bstan dar, 1870–1923).

 


The photograph was sourced from The Tibet Album: British Photography in Central Tibet, 1920-1950, which is a fantastic on-line resource jointly created quite a number of years ago now (c.2006?) by the Pitt Rivers Museum in Oxford and the British Museum in London. It seems likely that the error was derived from the biographical record which is incorrectly connected to the image on the Tibet Album website. None of the eight images associated with this biographical record are of Champa Tendar, who died in 1923. They all appear to be of Tenpa Jamyang, who succeeded him as Kalon Lama, as the range of dates given for each photo (between 1936-1937 & 1940-1941) on the Tibet Album would seem to suggest. None of the records/transcriptions given alongside these images actually specifies which Kalon Lama they depict, although, the ‘Glossary of Terms’ which they all link to (see here) states: “Kalon Lama. He was the ecclesiastical Cabinet Minister in the Tibetan government. The post was held by Jampa Tendar at the time of the 1936 mission.” – which, given Champa Tendar/Jampa Tendar’s date of death (1923), is evidently incorrect.

 

I first noticed this error several years ago and I did mention it to Frank Drauschke, from whom the Tibet Album’s biographical information for Champa Tendar was derived, and also to my former colleagues at the British Museum, who were involved with the creation of the Tibet Album, but no one at that particular time seemed to know who was then maintaining the website.

 


So, having been reminded of it by seeing this error pop up again recently, I thought I would post some information here in the hope that it might act as a useful signpost to researchers who are interested in the lives and biographies of these two Kalon Lamas, mainly in order to point such researchers in the direction of a relatively recently published paper which gives the best information on these two individuals, and so thereby help to clarify their identities. The article is titled: Monk Officials as Military Officers in the Tibetan Ganden Phodrang Army (1895–1959), by Alice Travers in Cahiers d'Extrême-Asie, Vol. 27 (2018), pp. 211-242 (See, DOI: https://doi.org/10.3406/asie.2018.1512 | JSTOR: https://www.jstor.org/stable/26756586) – NB: the article is in English, and is freely accessible on-line (via the DOI link).

 


In posting this short research note here on my blog I do not mean to criticise or detract in any way at all from the hard work and great effort which many people far more qualified and knowledgeable than myself contributed to the AHRC funded Tibet Visual History 1920-1950 project. Indeed, the Tibet Album, as I have acknowledged above, is a truly fantastic and authoritative resource which is and continues to be immensely useful to Tibet researchers everywhere. And it has certainly been a great help to me in my own research. Nor do I wish to criticise the Twitter account that I have referred to above, which also posts very valuable information concerning the visual history of Tibet via that social media site. It is clear that the errors of association and attribution which I point out here were unintentional mistakes.

 

My own interest in the Kalön Lama (bka' blon bla ma) Champa Tendar / Jampa Tendar (Byams pa bstan dar, 1870–1923) derive from two angles; firstly, from my PhD research concerning Western explorers in East Tibet, and, secondly, from my family connection to Tibetan writer, Rinchen Lhamo (1900-1928) and her husband, British Consul, Louis Magrath King (1886-1949). King knew Champa Tendar personally and wrote about him in China in Turmoil: Studies in Personality (London: Heath Cranton, 1927) – Chapter 15: A Frontier Incident, as Travers discusses in her article, along with a number of other primary and secondary sources regarding both Kalon Lamas. Travers also correctly identifies the images of Tenpa Jamyang on the Tibet Album, reproducing one as part of her article, and includes three very clear images of Champa Tendar sourced from books by Eric Teichman, Rinchen Lhamo and Louis Magrath King. This makes it very easy to distinguish the respective visual likenesses of the two Kalon Lamas.

 

Kalon Lama Jampa Tendar (via Wikimedia Commons)
See also: Jamyang Norbu's "Shadow Tibet" - 'Black Annals' (19 July 2008)
& Alice Travers, Marching into View: The Tibetan Army in Historic Photographs 1895–1959 (Tethys, 2022), p. 64, Plate 39

 


Related posts on ‘Waymarks’

China & Tibet  Through Western Eyes

Rinchen Lhamo – A Woman of Kham

 

And information on my PhD research & related publications:

"Empirical Adventurers: Science and Imperial Exploration in East Tibet, 1900-1949"

Tim Chamberlain – Birkbeck College, University of London (2015 onwards)

Edge of Empires, The British Museum Magazine (2010)

Books of Change, Journal of the RAS China (2013)


3 April 2023

Flowers & Fantasy - 'Plant Hunting' As Colonial Era Board Game


 

Whose turn is it? 

I’m not an avid board game player, but some of my friends are, and so I have often been corralled into playing with them. A friend of mine even invented a board game which was based on our group of friends and the archaeological excavation we used to spend our summers working on. It was ingenious and the playing of it even managed to reveal real-life gossip and secrets which some of the players had been unaware of previously, so whenever we played, it was always immensely good fun – although sometimes game-play could go on for hours and hours!

 


When I was a child, I remember seeing a board game advertised on TV, which I must have nagged my parents to get me for Christmas one year. It was called Lost Valley of the Dinosaurs (Waddingtons, 1985). It was a kind of Indiana Jones meets The Lost World, or The Land That Time Forgot themed game (NB – it came out well before the first Jurassic Park movie) in which players had to cross a valley to reach an Aztec temple and retrieve a treasure of gold coins, but there were a number of obstacles which could stop you. As I recall these were primarily either falling into a swamp and going round in circles until somehow you were able to get out; that is, if you didn’t get eaten by a swamp monster. Similarly, you might get eaten by marauding dinosaurs or a pterodactyl swooping down while you tried to cross the board. The routes across which might also become cut-off if a volcano erupted and lava subsequently began to spread across the board. It was really good fun, and I played it many times over the years with both family and friends.

 




The theme of the game being exploration evidently belied the childhood interests which in later life would lead me on to researching and writing a PhD dissertation about early twentieth-century explorers in the Sino-Tibetan borderlands. Indeed, Lost Valley of the Dinosaurs has some echoes of the search for fossilised dinosaur eggs in 1920s China. A genuine fossil hunt in which the fedora hat-wearing Roy Chapman Andrews is often touted as the real-life inspiration for Indiana Jones himself. But it was the so-called ‘plant hunters’ who perhaps have interested me the most alongside the possibly better-known archaeologists and anthropologists. As regular readers of this blog will know – ‘plant hunters’, such as Frank Kingdon-Ward, George Forrest and Joseph Rock, Reginald Farrer and Bill Purdom, as well as Frank Ludlow and George Sherriff, have all been featured in various blog posts here on Waymarks. And I am always on the look out for new information about all of them, but one thing I wasn’t expecting to appear was a board game loosely based on their wider botanical cohort's endeavours. Botany – A Victorian Expedition … A Game Full of Adventure, Intrigue and Flowers (Dux Somnium, 2023).

 


The promotional blurb for this particular board game, which doesn’t appear to have been released yet, seems to imply it is based on the plant hunters of an earlier era – perhaps more along the lines of ‘eminent’ Victorians, such as: Robert Fortune, Richard Spruce, Walter Henry Bates, Alfred Russel Wallace, and Charles Darwin – perhaps with some ‘indomitable’ women explorers, of the likes of Isabella Bird, Amelia Edwards, Mary Kingsley, Nina Mazuchelli, or Lizzie Hessel, added in for good measure. What strikes me the most though is the tone of its promotional blurb which seems weirdly out of joint with our current times. It reads like a ringing endorsement of colonialism. Almost as though it were an entertaining-yet-educational tool for instilling a colonialist ethos in the impressionable minds of a rising generation of young board game players and would-be empire builders!

 “Adventure, intrigue, and flowers! Botany is a strategy board game where you take on the role of a Victorian Era flower hunter as you explore the world to gather fortune and fame and be named the Royal Botanist. In Botany, each player takes on the role of a character whose abilities will shape the way they play the game. Will you focus on exploring the globe in search of the most valuable specimens? Will you make quick and efficient trips to gather reputation quickly and build your estate?

 Each player begins the game with a set of randomized goals that they then use to plot their path to victory. When players set out from their estate, they have access only to the coins they can carry with them. They can use these coins to traverse the globe and gain crew members and items to improve their odds of surviving the unknown, enhance their abilities, and increase the efficiency with which they traverse the map. However, there is danger in spending too freely, and players must ensure they have enough wealth on hand to return to England with their specimens intact.

 Turns in Botany are streamlined in order to minimize downtime and keep players engaged. Players will move around the map, build their character, and experience the story of their rise to fame, all with an eye for efficiency. Points are gained by improving the quality of your garden, retrieving live specimens from around the globe, and adding preserved flowers to your botanical press. The specimens that players hunt, the goals they focus on to achieve victory, and the events they experience create a unique feel across each game.” – [description from publisher; see here]

 


The board game’s website seems to be using a nostalgia for empire, particularly in the form of its aesthetics, quaintly emphasising ‘Beautiful Victorian Artwork – Historical illustrations and photography immerse the player in the world of Victoran [sic] plant hunters. Enjoy learning about the flowers of the world with this incredible art.’ As well as, ‘Unique Characters and Entertaining Events – Botany’s characters and events paint a story as you traverse the globe to become the ultimate flower hunter.’ This appears to be a kind of “fighting fantasy” version of colonial capitalism in the form of a board game. Monopoly (Parker Brothers, 1935) for die-hard, flower-fancying imperialists, perhaps? – From an academic point-of-view, I am thoroughly intrigued. We are all highly accustomed to seeing the tropes of imperialism and a colonial worldview consistently perpetuated in TV dramas and Hollywood films. Such themes are invariably tweaked a little to fit our times, or as a sop to our current sensibilities. It is often highly debateable (and much debated) as to whether or not these tweaks either veil or highlight the iniquities of the past, or virtue signal by equivalence the (hopefully) more enlightened attitudes of our present age. How does such a newly invented board game fit into this present era of decolonisation, ‘Rhodes Must Fall’, versus the rise of populist nationalism and other politically conservative agendas, such as a nostalgia for empire? ... Consequently, I’d be fascinated to know more about this new board game – particularly how it was first conceived and how it came about; what source material was used to create it; and what it is actually like to play it.

I may well have to call up my old board-game-loving digging pals and see if they’d like to assist me with some further research.

 


In the meantime – for anyone who might be reading this who is also intrigued by the questions raised above and would like to know more about the actual history of ‘plant hunting’, economic botany, science and empire – I very much recommend the following books and websites as good places in which to start:

 

Lucile H. Brockway, Science and Colonial Expansion: The Role of the British Royal Botanic Gardens (New York: Academic Press, 1979)

Fa-Ti Fan, British Naturalists in Qing China: Science, Empire, and Cultural Encounter (Cambridge, Mass.: Harvard University Press, 2004)

E.H.M. Cox, Plant Hunting in China: A History of Botanical Exploration in China and the Tibetan Marches (London: Collins, 1945)

 

The Economic Botany Collection at Kew Gardens

The Mobile Museum Project

How Victorian Plant Hunters Shaped British Gardens


See also:

Playing Oppression: The Legacy of Conquest and Empire in Colonialist Board Games, by Mary Flanagan & Mikael Jakobsson (MIT Press, 2023)

 




Related Reading on ‘Waymarks’

 

Botanical Beginnings in the Sino-Tibetan Borderlands

Hyperbole Most Florid – Reginald Farrer & William Purdom

Language & Landscape in West China & Tibet

Exploring the Land of the Blue Poppy – Frank Kingdon-Ward & Tibet

Frank Ludlow & George Sherriff’s “Botanical Endeavours”


5 November 2022

Bullsh*t Anthropology - Reading Graeber & Wengrow

 


For a long time, I’ve thought that anthropologists and archaeologists tend to make a lot of grandiose and sweeping claims regarding the origins of culture and human society which they can’t really substantiate. At last, I’ve found an anthropologist and an archaeologist who seem to agree with me.

 


THE DAWN OF EVERYTHING: A NEW HISTORY OF HUMANITY by David Graeber & David Wengrow (Penguin, 2022)

From the summer of 1994 to the summer of 1997, I was a student studying for a BSc in Anthropology at the University of East London (UEL). The Anthropology Department at UEL was staffed by academics who described themselves as Marxists. They maintained that what they were teaching us was ‘radical anthropology.’ One of the tutors was Chris Knight, an anthropologist who had come up with a novel idea for the origins of culture being linked to menstruation: – a theory which he maintained could be proved by meta studies of language and mythology, etc., wherein modern human societies had evolved out of a matriarchal primogenitor; presumably some long forgotten band of proto-communist hominids who had emerged ‘Out of Africa’ in the long dark and distantly remote millennia located at the other end of human prehistory. Folk memories of which, he maintained, still echo down the generations in common culturally-shared tales of myth and folklore. He called his theory the ‘sex strike’ theory, and he set out his elaborate thesis in a hefty scholarly tome, titled, Blood Relations: Menstruation and the Origins of Culture (Yale University Press, 1991). This was the bible which we undergraduates were all expected to buy, imbibe, absorb, and adhere to, as well as to generally espouse as new radical anthropological-evangelists – especially (it was taken as tacitly read), if we wished to do well in our essays and the final exams, thereby earning our degrees.


 

It was an extremely well-choreographed curriculum, a slick syllabus which was very deftly delivered by a bunch of very clever and adept academics. In the first year we were all generally wowed, bowled over, utterly enthralled and completely taken in. But some students among our cohort began to have their doubts at some point or other during the second year of our studies. In the third year some even began to openly rebel. And, of course, the result was a graduating class neatly differentiated into thirds, two-twos, two-ones, and firsts, with the weightier majority of sceptics grouped at the lower end of this academic scale, and the few fully-paid up acolytes rewarded for their open homages to the guru in the rarefied elite group of first-class honours (a grand total of three out of thirty-or-so graduates, if I recall correctly). I was a lower-middling sceptic, who, having sought to divert and dilute my degree with as many scientific archaeology electives (run by the Environmental Science Department at UEL’s Stratford Campus) as I was permitted to take, somehow emerged at the other end of it all having gained myself a ‘Desmond’ (i.e. – a two-two).


 

Looking back, it was a truly bizarre and intellectually beguiling three years. I remember sitting and rather squeamishly watching what felt like a glacially-paced film screening of two Yanomami Indians with pudding bowl haircuts, somewhere deep in the Amazon, repeatedly bashing each other over the head with long wooden poles. It looked like a much more violent and far less funny version of Monty Python’s fish slapping dance. I remember wondering what I was meant to make of it all. Looking back now, it seems like an apt metaphor for my three years as an anthropology student. However, I no longer dismiss those three years quite as diffidently as I probably did at the time. Undoubtedly, I did learn a lot during my undergraduate degree, and what I learnt is something I’ve reflected upon and probably continued to adapt over the course of the intervening decades.


Karl Marx

 

Certainly, when I returned to university (after some 15 or so ‘gap years’) to study for an MA degree in World History, all that early grounding in Marxist theory meant reading Eric Hobsbawm made a lot more sense than I’d expected it would. During my BSc, I had become very interested in one area of anthropology which UEL termed as ‘cultures of dominance and cultures of resistance.’ And, rather naively, I thought I’d stolen an intellectual march upon my tutors by writing a short dissertation explaining the success of the 1989 ‘Velvet Revolution’ in Czechoslovakia using Gramscian-Marxist theories of hegemony and power. I really enjoyed researching and writing this particular piece, and it seemed all the more ironic to me that I did so while sitting at one of the desks in the old Round Reading Room of the British Library, where Karl Marx himself famously used to sit reading and scribbling.



 
The Round Reading Room, The British Library


But the truth was, much of my undergraduate studies completely befuddled me. I’d really wanted to study for a joint anthropology and archaeology degree at Durham University, but things had gone awry with my A-levels. And so, after running the grim gauntlet of ‘clearing’ (in which I very nearly got into SOAS), I ended up at UEL feeling utterly thwarted. One good thing about UEL though, was that the timetable was very compact. It was usually condensed into just two- or three-days attendance per week. This meant that during my undergraduate years I was able to spend a lot of my time working as a volunteer at the British Museum, and I also spent a month each summer camping on archaeological excavations in the UK, which is where I really wanted to be. Consequently, much of what I was taught at UEL seemed like it was a diversion from what I was properly interested in.

 


That diversion, I realise now, was essentially the theoretical side of things. I mistakenly thought I was solely interested in the ‘material culture’ aspect of our remote past, but the truth is (and always was) that there’s no divorcing the two aspects. Material remains only tell you so much. It’s true that a lot can be revealed from sophisticated scientific analysis: – for example, examining dental enamel from a skeleton can tell you that the person whose grave was excavated at Site X actually grew up and spent most of their life living at Site Y, which is mind-blowing because Site X and Y are thousands of miles apart and there’s nothing else associated with that grave which could have told you this remarkable fact about the physical mobility of both individuals and broader populations at this time. Although, that said, I did find it unconscionably tedious to sit through lecture-after-lecture on the slow multi-millennia-long evolution of emmer wheat, which it seemed as though it was being taught in real time! – But in many ways, listening to outlandish theories about how human culture had evolved out of a system of collective social coercion which was codified in cyclical systems relating to menstruation, sororal solidarity, and the phases of the moon seemed oddly mind-bending in an altogether totally different direction, and a trifle too speculative for some of us even as still wet-behind-the-ear undergraduates. As far as theories go, this one certainly qualified as being firmly ‘out there’ on the fringes. I took very few notes during my third year. Instead, I mostly sat there listening to our lecturers with a somewhat baffled sense of intense concentration, and at the end of each lecture my conclusions always seemed to amount to the same response, which was: “But how can you possibly know that for sure?”


 

It was only much, much later on in life that I came to realise that this is the point of the humanities. Even subjects such as archaeology, anthropology, and history, which draw on concrete aspects of science and scientific practices, are essentially nothing more than plausible fictions – ideas, opinions, theories – it’s as simple as that. Though some practitioners in these fields might evangelically espouse their academic revelatory notions as some sort of gnostic gospel truth which we should all revere and adhere to as the ‘be-all, end-all’ answer to the ultimate questions concerning the origins of life, the universe and everything – it’s still only a theory, their theory. It’s simply one theory among many which have gone before, and one which will be followed by many more still to come.

 

It was the cult-like hagiographical obeisance that came with the theory which really turned me off and caused me to tune out, although not drastically enough to make me drop out. I hung on in there. Partly, because it was a circus which, nevertheless, could still entertain even the most sceptical of minds. I clearly remember the closing moment of the final lecture for my BSc, when one of our tutors had wowed us for one last time with such a grand epiphany-like conclusion to their showman-like exposition, explaining some all-encompassing aspect of life rooted in the long lost deep-time of human prehistory, and one of my (by now deeply-jaded) fellow-students raised his hand and asked: “Yeah, that’s all very interesting, but where do the Spice Girls fit into all of that?” --- To which the long-suffering tutor concluded his lecture by telling my fellow student (and former housemate) to “F*ck off!” --- It was certainly a radical and rather definitive ending to three very long but ultimately intellectually-formative years.



 

Consequently, reading the first chapter of David Graeber and David Wengrow’s The Dawn of Everything: A New History of Humanity (Penguin, 2022) instantly catapulted me back to that 1930s-era lecture hall at UEL’s old Barking campus. Here was a book, at long last, which seemed to be echoing my baffled bemusement. A book which was also asking: “But how can you possibly know that?” – A book which was at last finally holding up a mirror to what (to coin a David Graeber-like phrase) I’d long thought of as being bullsh*t anthropology.

 

Graeber and Wengrow’s book begins by stating that: “Most of human history is irreparably lost to us. Our species, Homo sapiens, has existed for at least 200,000 years, but for most of that time we have next to no idea what was happening. In northern Spain, for instance, at the cave of Altamira, paintings and engravings were created over a period of at least 10,000 years, between around 25,000 and 15,000 BC. Presumably, a lot of dramatic events occurred during this period. We have no way of knowing what most of them were.” – How fantastically refreshing. A book about everything which starts by stating that we know nothing as a point of fact! – But, of course, there has to be more to it than that. After all, how else could this book be over 700 pages long? – How the heck is it going to make sense of all of this unknowable stuff?

 

Well. This is a very smart book. One which balances both exegesis and exposition. Hence it should be read not so much in search of concrete answers, but perhaps more in quest of cognitive challenges. It walks a surprisingly genial line between hermeneutics and teleology (largely by means of avoiding the use of such words). It’s a real joy to read. An intelligently clear and conversational book. One which encourages us to engage with our own dialectical processes of reasoning: telling us that the answers we seek matter only if we give equal weight to the questions which beget those answers; prompting us to wonder why such questions need asking at all? – In essence, it is all a matter of perspectives. And, of course, awareness. Maintaining an awareness that individual and collective personal, social and cultural biases pervade all levels of critical thinking. In many ways, we are simply blind to our own blind spots. But we can escape this ever-decreasing circle.

 

In order to demonstrate this, the two Davids go back to the supposed rational objectivity of Enlightenment thinkers, such as Thomas Hobbes and Jean-Jacques Rousseau, looking at their engagement with little-known contemporary world-views as were then held by the relatively recently encountered cultures of the New World. Asking not how the assumed proto-communist equality of our early ancestors was lost, and thereby wondering how inequalities within our societies first arose; but rather, asking why it was (and still is) assumed that we began our social evolution in these egalitarian bands of early hunter-gatherers? – Graeber and Wengrow speculate that perhaps the Enlightenment ideals of liberty, equality, fraternity (within distinctly defined limits and constraints) came into being as a response to the interactions of colonial settlers and missionaries with the Amerindian populations they encountered in the New World.


 


It’s a fascinating reversal. And it is also a far cry from what I was taught as an anthropology undergraduate back in the mid-1990s. At that time the theoretical-side of physical anthropology was alive with debates between those who believed the ‘Out of Africa’ theory, advocated by anthropologists such as Chris Stringer and my own tutors at UEL, and those who adhered to the ‘multi-regional evolution’ theory of equally eminent scholars such as Milford Wolpoff, and also Lewis Binford’s ‘new archaeology’, which redefined processual approaches to the study of material culture. Elaine Morgan even came and gave us a special lecture on her ‘aquatic ape’ theory – a lecture which was partly disrupted by some Islamic fundamentalist students, who were regularly causing problems at UEL at that time (… I’ve often wondered in recent years what became of those guys and where they are today). Richard Dawkins’ The Selfish Gene (1976), a major scientific recalibration of Darwinian evolution, was a much-venerated text at this time at UEL too. The (then still relatively recent) DNA-sequencing findings regarding so-called ‘mitochondrial Eve’ were helping to bolster the popular image of the African Rift Valley as some sort of Garden of Eden for early humanity. And the eponymous Australopithecus, known as ‘Lucy’, along with the footprints found at Laetoli, were the superstar protagonists of most of our essays.


 

But, despite the very tempting allure of all this anthropological evangelism, I couldn’t help being niggled by my doubts, mostly arising from the sparsity of evidence which was so thinly but definitively staked out over such vast tracts of time – how could so much theoretical weight be borne by the stray findings of a single fragment from an incomplete hominid fossil dating from one distant millennium be made to quantum leap through the aeons and marry with that found in another? – The two Davids phrase it far better than I ever could have done so when I was writing about all this back in 1994-1997: “If we think on a scale of, say, the last 3 million years, there actually was an age in which the lines between (what we today think of as) human and animal were still indistinct; and when someone, after all, did have to light a fire, cook a meal or perform a marriage ceremony for the first time. We know these things happened. Still, we really don’t know how. It is very difficult to resist the temptation to make up stories about what might have happened: stories which necessarily reflect our own fears, desires, obsessions and concerns. As a result, such distant times can become a vast canvas for the working out of our collective fantasies.” (p.89*)


 

It wasn’t so much the theorisation itself which bothered me, but rather the imperative didacticism which went with it. The fact that we were required to nail our (preferably Marxist) colours to the mast and expected to defend them to the death. There was no room for bourgeois ‘middle-roaders’, even though all I wanted to do was keep an ‘open mind’ to all the different possibilities. And I guess around this time, the two Davids – who aren’t that much different in age to me, must have been thinking the same as fellow undergraduates in their respective institutions. As they say: “There are phases of literally thousands of years for which the only evidence of hominin activity we possess is a single tooth, and perhaps a handful of pieces of shaped flint. While the technology we are capable of bringing to bear on such remote periods improves dramatically each decade, there’s only so much you can do with sparse material. As a result, it’s difficult to resist the temptation to fill in the gaps, to claim we know more than we really do. When scientists do this the results often bear a suspicious resemblance to those very biblical narratives modern science is supposed to have cast aside.” (p.90)

 

In many ways, especially when looking at the Palaeolithic, all of this seems so massively remote that it is surely inconsequential to our own lives as modern human beings, isn’t it? – Well, maybe not. There is more than just a philosophical dimension to pondering the deep past. It is also a way of reflecting upon the present. If we haven’t always been the way we are now, what are the possibilities for the future, and who might we yet become? – In this sense, The Dawn of Everything does have another dimension. It seeks to go beyond a straightforward re-write of anthropological thinking. This book does have an agenda: “There is no doubt that something has gone terribly wrong with the world. A very small percentage of its population do control the fates of almost everyone else, and they are doing it in an increasingly disastrous fashion. To understand how this situation came about, we should trace the problem back to what first made possible the emergence of kings, priests, overseers and judges.” (p.87-88)



 

As already noted, modern thinking is to a large degree rooted in the ethos born out of the Western Enlightenment. It is a distinctly entrenched paradigm which surrounds us like a fog, but anthropology and archaeology can help us to wake up to the fact that not everything everywhere has been the same for all time. There are distinctly different ways of living, of organising and operating as collectively cohesive social animals. An excellent book, in this regard, which I value very highly is David Turnbull’s Masons, Tricksters and Cartographers: Comparative Studies In The Sociology Of Scientific And Indigenous Knowledge (2000), which really does show in a series of remarkably mind-expanding modes that there are many diverse epistemologies which can be used to understand our shared world, as well as re-orientating our perspectives within it – from the cross-generational collaborative means and methods by which enormous Medieval cathedrals were designed and constructed, to the global navigational systems whose subtleties were honed, adapted and successfully applied over centuries by Pacific islanders, regularly migrating over vast (and seemingly featureless) tracts of open ocean, almost like seafaring nomads. The way of the world forged in the mindset of the Western Enlightenment is far from the only way to collectively know and understand ourselves.



 

Indeed, this was also something we looked at as part of my Anthropology BSc. I remember, during that ‘cultures of dominance and cultures of resistance’ module I mentioned earlier, we studied E.R. Leach’s Political Systems of Highland Burma (1954), which, when it was first assigned to us, I thought qualified as perhaps the most boring sounding book title in the world. But, in truth, it was utterly fascinating. It spoke of the ways in which one society could periodically shift its social system of governance, operating in a kind of double morphology. Echoing the early work of Claude Lévi-Strauss on the Nambikwara in the Amazon, which Graeber and Wengrow discuss in some detail (in Chapter 3 of The Dawn of Everything), the Kachin of Burma regularly alternated between two organisational systems depending on prevailing factors at different times. As Graeber himself summarises Edmund Leach’s book (on GoodReads): “This is an anthropological classic of the first water – and one of the books that opened my eyes to what anthropology could be. It’s hard to explain how reading about hill tribes in Southeast Asia where powerful people periodically try to create little kingdoms (gumsa) in imitation of the Shan states in the valleys, but where the complexities of their forms of agriculture and marriage systems inevitably lead them to collapse and form democratic republics (gumlao) again – and then the whole cycle starts all over again – but when you read it, you are entranced. Well, okay, I was. It’s books like this that made me want to dedicate my life to anthropology.”


 

Since Leach wrote way back in the 1950s, much more recently this same region has inspired a whole new re-evaluation of so-called ‘anarchic’ states of being which has resulted in a much debated concept, dubbed ‘Zomia’, in which certain societies situated in the highlands of Southeast Asia have seemingly managed to avoid incorporation into the fabric of the modern nation states that surround them without being wholly cut-off from modernity, as is often assumed of remote Amazonian tribes and the like. James C. Scott’s The Art of Not Being Governed (2009) is the equally entrancing text which has sparked this revival of interest in such matters. It’s exactly these kinds of academic reappraisals which, as the two Davids highlight, is now causing a growing number of people to re-evaluate the long-held assumptions that there was some sort of uniform social and political progress within early human societies, leading from simple egalitarianism to more complex, codified and hierarchical systems; which in turn led to agriculture and urbanisation, then onto conquest and colonisation, etc., eventually resulting in the modern globalised world of capitalist, free trade and free market economies which we know and hold today as supposedly the ‘be all, end all’ perfection of human existence.

 

Essentially, we have lost sight of how societies can and do change in order to adapt according to their shifting ecological and economic circumstances. While I was at UEL I remember reading and writing about two starkly contrasting studies conducted by the same anthropologist. These ethnographies were The Forest People (1961) and The Mountain People (1972) by Colin Turnbull, which respectively describe life among the Mbuti and the Ik, two societies each located in vastly different regions of Africa. The first book presents a vision of a mobile band of pygmies living an idyllic, egalitarian, Garden of Eden-like existence, while the other confronts the reader with a harsh and hellish, Holocaust-like vision of a violently brutal and selfish society, having been pushed to the very brink of social cohesion by dislocation, drought, famine and an oppressive scarcity of resources (the Ik were previously nomadic, but had been forced to become sedentary). Writing an essay on The Mountain People was possibly one of the hardest things I’ve ever had to do. But it was an education in itself of how the norms we take for granted only afford us the narrowest of views as to what human life can be – particularly in its potentials for both good and ill. It taught me that an appreciation for difference, and a desire to know (even if it’s impossible to fully understand) another culture is the true gift of studying anthropology, i.e: maintaining an openness to insight.


 
 

Ever since completing those three years and graduating with my Anthropology BSc, I’ve had a long and troubled relationship with my first degree. At the time it seemed like a mistake, and I struggled with the pedagogical constraints through which it had to be negotiated; but ultimately, I don’t regret it. If anything, it has come to exert an ever-greater relevance to the things which I have done subsequently. I know anthropology has shaped and informed my outlook on life in general, and it still very much influences my approach to my continuing PhD studies as an historian. Hence, what once seemed like a bad hand which life’s croupier had dealt me, one that has long lingered with me like a cognitive millstone, now seems to have been a long unappreciated gift – one which only the passing of time has at last finally managed to unmask. As in Turnbull’s The Forest People, seeing the sacred molimo trumpet out of context is merely a prosaic act when contrasted with the importance of visualising what it embodies while hearing it at the appropriately sanctioned moment in its ritualised use. Essentially, behind the different masks of certainty which other people force us to choose between, I believe it is possible to maintain a sense of ‘negative capability’ (as John Keats described it: that is, the ability to balance and live with opposing or contradictory thoughts and ideas). Because this might very well be the only thing which (paradoxically) helps us to stay sane.

 

Looking back, I see two experiences: one at the very end of our undergraduate degree, and the other many years later, which put this conclusion into the most quotidian of contrasts for me – posing a fundamental question which I’ve never really been able to fully answer for myself, hence why the continual relevance of such a prolonged re-evaluation remains a constant in my thinking-life: 


The first was a discussion that some of my fellow students had amongst ourselves after one of our last lectures at the end of our final year. It was a moment marking the culmination of all of us having spent three years steeped in a deep and meaningful appreciation of the rich, broad cultural and political diversity of humanity in all its myriad forms. Someone idly asked all of us what we were going to do once we’d finished our studies that summer. Most spoke of summer jobs and then of their aspirations towards future careers or further education: MAs, MScs, that kind of thing. But one lad, a young Israeli boy, said he was going home to do his National Service. Most of the group openly commiserated with him, but he looked up and quickly rebuffed us, saying: “Oh no, I’m looking forward to it. I’ll get the chance to shoot some Palestinians!” – There was an uneasy silence. No one was sure if he was joking or not.

 

The second happened a couple of decades later, when I was flying home to London from Seoul in South Korea. I was sitting next to a young Korean girl, and naturally enough at some point during the long flight we got talking. She told me she was travelling to the UK to begin studying at university. She quizzed me on what life was like in the UK, what my own experience had been of going to university there, and she asked me what I’d studied. When I told her I’d studied anthropology she said it was a subject which interested her and quizzed me further on what that was all about, so I did my best to summarise it. When I’d finished, she asked me with a dead straight face (the seriousness of which only just stopped me in the nick of time from bursting into laughter): “How do you reconcile all of that with your faith in Jesus Christ?”

 

Sitting back in my seat, traversing the world at 35,000 feet, far above the immense spectrum of everyday lives being lived out collectively and individually beneath the raft of pure white clouds passing below us at a rapid rate of knots in that sealed metal tube with wings, I found myself reflecting once again: how it is all too easy to take the world at face value and not realise that we are all only ever looking into a mirror which simply shows us what we already know and consequently take completely for granted. There’s no seeing the wood for all the trees. No wonder, then, that the world is such a messed-up place!


 

If life tends to confound our expectations, it’s no wonder we are always seeking to find the points upon which we can anchor ourselves. But the true challenge is trying to travel freely by casting those anchors aside. Attempting to see beyond that mirror, to look into other surfaces and perceive how things might be reflected differently there. For me, this book, The Dawn of Everything, is a mirror of one sort or another. I’m not sure if it represents a revelation of something new, or simply a confirmation of all the things I thought I already knew, but which previously I had no way of articulating for myself before reading it. I realise I am still very much stuck in my initial, overly-enamoured phase of admiration for this particular book. And it is a book which I’d highly recommend everybody to read. Sadly, my quasi-review here has barely even scratched the surface of all that it contains, nor have I done sufficient justice to the real aplomb with which this book is crafted. It is truly impressive (I could hardly believe my eyes, but the two authors’ description of the domestication of wheat is genuinely riveting reading!). Had he not passed away in September 2020, David Graeber could well have become for me the anthropological guru par excellence whom I’d managed so assiduously to avoid all these years!

 

And in this regard, I should perhaps end by coming full-circle, to append a somewhat amusing footnote, referring back to Chris Knight: who, despite his professed admiration for David Graeber, has recently taken Graeber to task by rather baldly stating that: “For David and his whole circle, I don’t exist. My book doesn’t exist, it never got written, and it’s irrelevant.”** – Knight seems to think that Graeber doesn’t give enough credence to the findings of ethnographers and consequently totally misreads the most fundamental truths about hunter-gatherer societies. Personally, I think Graeber and Wengrow’s new book does engage with all of the issues which Knight complains about (see Chapters 4 & 6 in particular). And likewise, according to my reading of The Dawn of Everything, I also think the two Davids very effectively expose a lot of the speculative assumptions inherent in ‘bullsh*t anthropology’ (which I’ve complained about at length above) by underlining my contention that speculations are all we really have to work with here. Consequently, as with any theory regarding the origins of human society, there needs to be enough latitude for doubt, even if they too (Graeber and Wengrow, that is) think they’ve managed to figure it all out and have very persuasively managed to argue their own particular case.

 

Ultimately, all churches – whether sacred or secular – are founded upon faith. In the end, the only choice we each have is deciding who we wish to follow. I guess – as with my ever-evolving reflections upon the strange fruits of my Anthropology BSc, fruits both sweet and sour in a world both complex and straightforward – the real test, I suppose, will be to see what I think of this particular book in 30 years’ time. After all, it’ll be fascinating to see where things go from here.



 

*NB – The page numbers I reference above are taken from the page counter of a PDF version of the book (which you can find here on the Internet Archive) which gives no actual page numbers on the text itself.

**Quote taken from an address which Chris Knight made to the Communist Party of Great Britain’s Online Communist Forum on 24 January 2021.

~

I have collated a playlist on YouTube of videos by and about David Graeber – including a couple of critiques of Graeber’s work by Chris Knight (as quoted above), and interviews with David Wengrow about ‘The Dawn of Everything.’ Knight has also written a blog post giving his own extensive critique of ‘The Dawn of Everything’ which you can find here: Chris Knight - Wrong About (Almost) Everything (FocaalBlog, 22 December 2021). There’s also an interesting article on some of the early critical responses to ‘The Dawn of Everything’ here in The Observer (12 June 2022). Plus a reluctantly disappointed homage, which asks 'What Happened to David Graeber?' by Crispin Sartwell, LARB (20 January 2024). And for a recent review of the current situation concerning the debate between the 'Out of Africa' vs. 'Multi-regional' models of human evolution, you can listen to Prof. Chris Stringer’s 2023 Huxley Lecture - 'Mostly Out of Africa.'



Trolley Hunters - Banksy
 


 Also on 'Waymarks'


From the Heart of the World - Alan Ereira

Shandley Williams - Totem

Ring of Fire - An Indonesian Odyssey



Peckham Rock - Banksy




7 July 2022

'Other Everests' - A New Research Network

 


This week saw the start of Other Everests: Commemoration, Memory and Meaning and the British Everest Expedition Centenaries, 2021-2024 – a research network funded by the Arts and Humanities Research Council (AHRC). A two-day symposium hosted by convenors, Dr Jonathan Westaway (University of Central Lancashire) and Dr Paul Gilchrist (University of Brighton), was held at the Royal Geographical Society in London (5-6 July 2022). Other Everests is a new interdisciplinary network that takes as its starting point the centenary of the post-war British Everest campaigns of 1921-1924. Its aim is to bring together international scholars, archivists, curators, learned and professional societies and the UK mountaineering community to critically assess the legacy of the Everest expeditions and to re-evaluate the symbolic, political and cultural status of Everest in the contemporary world. The symposium brought together some of the members of the network in order to share and discuss their research, as well as pooling ideas about how the network might develop over the next two years through new events and an open access publication.

 

Jonathan Westaway & Paul Gilchrist opening the 'Other Everests' Symposium, 5-6 July 2022 (photo by Peter H. Hansen)

“Other Everests will take a once-in-a-100-year opportunity to critically reassess the legacy of Everest and its meaning in contemporary culture and society. It will make its findings widely accessible in an Open-Access collection of critical essays that address key themes highlighted by the network and it will work with our project partners at the Kendal Mountain Festival to develop public lectures and events that translate contemporary scholarship into publicly accessible formats.”

 


The symposium began with a ‘hands on’ look at archive material and artefacts related to the exploration of Everest held by the Royal Geographical Society. A fascinating display consisting of a number of original documents, photographs, objects and silent film footage which had been selected by members of the group was laid out in the RGS’s Foyle Reading Room, with each member saying something about why they had chosen their particular item and the significance it had to their research interests. The rest of the two days was devoted to a series of plenary talks, as well as presentations and roundtable discussions, and a session in which the group discussed the ways in which arts and cultural collaborations with artists and project partners might be used in order to help reimagine archival images and texts through new creative partnerships in order to think about how acts of commemoration might be made more meaningful and resonant in a post-colonial context.

 

George Mallory's match box, recovered from Everest 70 years after his death (photo by Jonathan Pitches)

For me, the symposium was a wonderful forum in which to meet a wide range of people with linked interests, as well as finally getting to meet several friends and academics whom I’d only ever corresponded with on-line from different parts of the world. It was fascinating to hear about the potentials of new research projects, some of which were still only in their early stages, whilst others were at more advanced stages of development, yet all dazzled by the breadth of their scope and the depth of their detail. There were so many inspiring insights and interesting ideas to take away from the two days that my head is still buzzing! – It is really hard to single out my main highlights from the event, but if I had to pick just two elements from each day: Jonathan Westaway’s presentation about his work on the ethnographic photographs of Major C. J. Morris, and Sarah Pickman’s insights into the material culture of provisioning and equipping expeditions on the first day; along with Nokmedemla Lemtur’s researches into German mountaineering archives as part of the Modern India in German Archives, 1706-1989 project, along with Peter Hansen’s truly excellent plenary talk, examining ‘The Whiteness of Mount Everest’, which closed the second day of the symposium – all four of these chimed closely with my own personal interests.

 

The biggest revelation or ‘eye-opener’ for me though was Jenny Hall’s presentation on the Japanese climber, Junko Tabei – whom I’m ashamed to say I’d not heard of before. She was the first female climber to reach the summit of Mount Everest in 1975. Sadly though, the sexism and racism she encountered was not so much of a surprise. But it was fascinating to learn more about Tabei in the context of other female climbers who have subsequently pushed physical and social boundaries in the Himalaya. Hence why these interdisciplinary exchanges are so important for broadening our understanding of the regions which we choose to study. It’s the connections and correspondences which such meetings enable which ultimately prove to be some of the most fruitful and efficacious outcomes of such events.

 

Viewing the 'Other Everests' co-curated display (photo by Peter H. Hansen)

And lastly, but by no means least, the stand-out object of interest for me in the co-curated display of archive material (although all the objects were fascinating!) was a photograph of a man named Lewa, a Sherpa, who was ‘sirdar’ (head porter) on the British Everest expedition of 1933, and likewise on the ill-fated German Nanga Parbat expedition of 1934. The reason this item stood out for me was because Lewa was a familiar face. He was someone whom I’d encountered in my own on-going PhD research into early twentieth-century explorers in East Tibet. In this context, far removed from the more famous locale of Everest, Lewa was again ‘sirdar’ accompanying Ronald Kaulback and John Hanbury-Tracy during their 1936 journey along the River Salween. Lewa features as quite a prominent and very amiable character in John Hanbury-Tracy’s travelogue, Black River of Tibet (1938), where he is described as:

“Lewa, he of the square jowl and barking voice, […] a Sherpa from Nepal. He has not seen his village since he was fourteen, when he came to Darjeeling to work for Englishmen who like to climb hills, the great hills he has always lived among. A rugged character and great powers of endurance set him much in demand as a porter. He was one of the "Tigers" of Everest. He has travelled the Himalaya from Sikkim to Kashmir, and has hauled more than one famous mountaineer up the last steps of a climb. He has been sirdar on several trips, and helped to save the remnants of the disastrous German expedition to Nanga Parbat in 1934. Now he is our sirdar – a rough-and-ready sergeant-major. He has a fine reputation, and means to keep it up.” (p.9)

 

Lewa photographed in John Hanbury-Tracy's "Black River of Tibet" (1938)

Lewa was also mentioned on both days of the symposium, in the talks given by Jonathan Westaway and Peter Hansen.

 


The two-day symposium at the Royal Geographical Society was certainly a successful start to what looks set to be a very interesting and engaging research network. It’s certainly one to watch for anyone interested in the current and forthcoming Everest centenaries, and the exploration of mountain environments, as well as art and culture in the Himalaya.

  


Further Information

 

Other Everests – Research Network – Official Website

Other Everests – Research Network – on Twitter:

@OtherEverests | #OtherEverests

Other Everests on YouTube



 
 

Also on ‘Waymarks’

 

Himalaya – The Heart of Eurasia

"Everest Through The Lens" - Exhibition Review

Salween – Black River of Tibet

Ludlow & Sherriff’s “Botanical Endeavours”



My contributions to Other Everests:


Exhibition Review: "Everest Through the Lens" (RGS-IBG, October 2022-January 2023)

Book Chapter: "Far Away Frontiers and Spiritual Sanctuaries: Occidental Escapism in the High Himalaya" (Manchester University Press, 2024)


'Other Everests: One Mountain, Many Worlds' Edited by Paul Gilchrist, Peter Hansen & Jonathan Westaway (MUP, 2024)