1 January 2019

Waverley to Red Sands


We were lucky with the weather. The day before had poured with rain all day. But today’s sunrise was met by a crisp, clear blue sky. There was an early autumn tinge to the air, although it was still warm in the sunshine. The wind on the water would probably cancel that warmth out though, and that was evidently why everyone waiting on the pier was swaddled in fleeces and waterproofs, just in case. Bristling with cameras and binoculars, all eyes were looking intently upstream, trained on the bend in the river beyond the wind turbines, looking keenly for the Waverley – the last sea-going Paddle Steamer still in operation.

The Waverley had set out that morning from Tower Bridge, but we were joining her at Gravesend for a jaunt down the river to the Thames estuary and the open sea, to visit the World War 2 era Army Fort at Red Sands. The strange four-legged constructions which rather resemble the alien-invader’s machines described in H.G. Wells’ War of the Worlds, or John Christopher’s Tripods trilogy of novels. Dreamt up by British Civil Engineer, Guy Maunsell, to protect the Thames and London, Red Sands was one of three army forts set up in the estuary (there were others set up in the mouth of the Mersey to protect the port of Liverpool as well). Of the other two, Great Nore Fort and Shivering Sands Fort, only the latter still stands. Great Nore was dismantled not long after the forts were decommissioned in the 1950s as it was deemed a hazard to shipping after it was badly damaged in a storm and a ship, the Baalbek, collided with two of the towers destroying guns and radar equipment as well as causing four fatalities. Since being abandoned, Red Sands and Shivering Sands have stood as forlorn rusting sentinels – testament to the martial ingenuity spurred by desperate times when Britain’s sole focus was survival in the face of all-out war and the threat of imminent invasion.



In many senses the Waverley is a symbol of Britain’s rebirth after the defeat of Nazi Germany in 1945. She was built in 1946, as a brass plaque on-board attests, to replace another ship of the same name (built in 1899) which had been lost during the evacuation of Dunkirk in 1940. A 693 tonne oil-fired steamer built by A. & J. Inglis of Glasgow, Waverley provided a regular passenger service from the Craigendoran on the Firth of Clyde up Loch Long to Arrochar. Waverley was originally owned and operated by the (recently re-convened) London and North Eastern Railway Company (LNER). She was transferred to the Caledonian Steam Packet Company, a subsidiary of the national Railway Executive, when the railway system was nationalised in 1948, which in turn later merged with the company that became Caledonian MacBrayne (CalMac). Operating in Scottish waters throughout the 1950s and 1960s until a decline in passenger demand made Waverley too costly to maintain. Hence CalMac eventually withdrew Waverley from service in 1973. Fortunately though the ship was sold to the Paddle Steamer Preservation Society for the token sum of one pound (£1). A public appeal secured the funding necessary to keep the ship in full working order, and, now operating as Waverley Excursions, the ship tours regularly up and down the British coast. Every year in the closing months of summer Waverley visits the Thames, and living near to the river I’ve often seen her sailing by or heard her whistle tooting in the near distance while pottering about in my flat. Waverley is a genuinely beautiful ship, painted in her original 1947 LNER livery colours. I’ve long wanted to get myself on-board in order to take a proper look at this unique old boat.



Today though I’ve managed to tick three things off my mental wish list. Killing three birds with one stone, as it were: First, of course, a trip on the Waverley. Second, sailing out to one of the old Maunsell Army Forts. And third, a visit to St George’s Church in Gravesend, where Rebecca Rolfe, better known perhaps as Pocahontas, is buried. Bonuses to the day’s trip were also getting glimpses of Tilbury Fort, which I’m planning on properly visiting itself one day (and no doubt a blog post on the same will follow on from that), and also glimpsing the wreck of the SS Richard Montgomery. Sadly we didn’t get to see the sunken remains of a WW2 Mulberry floating harbour near to Southend, but an additional unexpected find with a China connection (I’m not sure how, but these things have an uncanny knack of happening) was the discovery that General Gordon used to be a Sunday school teacher in Gravesend, in a building which still stands not too far from the pier where we boarded Waverley (I’ve written previously about General Gordon on Waymarks here).




When the Waverley finally appeared, rounding the bend of the river in the far distance she was moving at a steady clip and it wasn’t long before she was pulling into the pier. It was fascinating to watch her crew and the pier attendants expertly guiding the ship into place alongside. She’s not an easily manoeuvrable ship due to the fact that her paddles are locked on a single crankshaft and so cannot be made to turn independently. This means she has a very wide turning arc and so she often needs the assistance of tugs if she has to pivot a full 180 degrees when in the narrower stretches of the river. A gangplank was pushed across the starboard paddle-wheelhouse to the pier, enabling a large group of passengers to disembark before a larger fresh intake (including me and my parents) boarded. My parents had already been on the Waverley once before, travelling the stretch of river the Waverley had just navigated, hence they “knew the drill” and so following their lead we rapidly made our way to the rear of the Waverley and climbed up the steps to the top deck where we got ourselves a spot on one of the port-side benches. This turned out to be an excellent and unexpectedly fortuitous choice as when the Waverley reached Red Sands she rounded the fort with the towers on her port-side, hence we got ringside seats for the day’s main event.







I say the forts were the main event, but really the whole Waverley experience was the main event in itself. For the journey out I stayed on deck watching the sights as they passed by (catching occasional snatches of the commentary coming from the tannoy speaker mounted on the nearby mast) – Firstly, on the opposite bank to Gravesend we could see Tilbury Fort, originally built in the reign of Henry VIII and kept in use right up to the end of WW2; then passing by an early radar installation, designed to look like a water tower; followed by Tilbury Docks – with sea containers being loaded from towering mobile mechanical gantries onto massive ships. I’d always imagined Tilbury Docks to be bigger and was surprised at how small it was compared to some of the ports I’d seen in other parts of the world, such as on the Huangpu in Shanghai (see here) or Busan in South Korea. Dotted all along the river there are the remnants of several forts built as part of the defences against invasion during the Napoleonic wars in the early 19th century, often set in pairs on opposing sides of the river, and more often than not topped with crumbling concrete additions from WW2.







Waverley made a final stop, tying up briefly alongside the end of Southend Pier, where a large portion of the passengers lined up to disembark. We could hear lots of talk amongst those departing about going for fish and chips on the promenade, whereas basking in the midday sunshine we decided this was the best moment to unpack our Thermos flask and sandwiches. It wasn’t long before the ship cast off again and turning a great arc from the pier in order to head back out to sea, we began to steam off towards the open expanse of the horizon. Crossing over the width of the channel we began to make out two sets of fuzzy dots on the horizon. Those furthest away were the towers of Shivering Sands, and those which we were now bearing a straight course towards were the towers of Red Sands Fort. 






Each of the Maunsell Army Forts consist of a set of seven towers which were all originally connected by bridge-like walkways. A central control tower (which also contained the accommodation quarters) was set in the middle surrounded by a semi-circle of four towers, each mounted with anti-aircraft guns on top, a sixth tower stood to the rear of the control tower, on top of which was mounted a larger anti-aircraft gun, and a seventh tower, positioned to one side of the gun towers a little further out, had a searchlight mounted on top. The towers of the Thames Army Forts were originally built at Gravesend and floated out to the estuary where their feet were flooded and the towers sunk into position. In all, during the war, the forts shot down 22 enemy aircraft and some 30 or so V1 Doodlebug flying bombs.



Shivering Sands Fort now has only six towers after a ship, the Ribersborg, collided with one of them in fog and it collapsed in 1963. In 2005 the artist Stephen Turner spent six weeks living alone in the searchlight tower of Shivering Sands as part of “an artistic exploration of isolation” – I saw the resulting artwork, a 30 minute twin-screen slideshow, when it was displayed at the Museum of London Docklands in 2013 (see here). Both Shivering Sands and Red Sands originally stood in ‘international waters’ until the three-mile limit was later extended to twelve miles. It was prior to this change that Red Sands and Shivering Sands were occupied by the so-called pirate radio stations, such as Radio Caroline. I remember my sister and I tuning in to listen to Radio Caroline in the early-1980s, but by then it had transferred to a ship anchored further out beyond the twelve mile limit, outside British legal jurisdiction. One of the Maunsell Navy Fort platforms further up the coast, Roughs Tower, was originally occupied as a pirate radio platform in 1966. It is still inhabited, and, claiming it was effectively terra nullius, standing just outside UK territorial waters, its inhabitants, the Bates family, have even declared de facto independence from the UK – it is now known as the Principality of Sealand (see here).



As the Waverley neared the towers of the Red Sand Fort a huge flock of cormorants took wing from the top of one of the towers. The Waverley’s engines dropped down to half-speed and the drop in sound level as Waverley seemed to glide round the fort accentuated the stillness on the water, the hubbub of conversation on deck seemed to drop away entirely and everyone seemed to stand, mesmerised by the strange and slightly unreal view of these rusting metal giants passing serenely by. I took several still shots with my camera but forgot entirely to shoot any moving film until we were well out of range. 




As the engines shifted back up into full speed I decided it was time to explore the ship, so I went for a walk all around the decks and then down inside, where the most amazing sight to see are the three great pistons driving the paddle wheels. Built by the Rankin & Blackmore Eagle Foundry in Greenock, it is a real treat to see this powerful steam engine in motion. Feeling the warmth of the boilers, smelling the scent of hot grease and oil, watching the shining flash of polished steel as the pistons slide smoothly back and forth, is satisfyingly hypnotic. A porthole in the wheel house enables you to see the paddle wheel outside churning through the water, propelling the Waverley on its way.





Heading back up on deck I was just in time to catch a distant glimpse of the three black and ominous masts of the wreck of the SS Richard Montgomery sticking out of the water, now on our portside. 



The SS Richard Montgomery was an America Liberty ship built during WW2. The ship ran aground at low tide on the Nore sandbank near Sheerness in 1944. It was hoped that she would lift herself off the sand on the next high tide but the ship broke her back instead, probably due to the heavy weight of her cargo. That cargo was a deadly one too, she was packed with munitions. A salvage operation was swiftly got underway but the ship began to break-up even more, flooding several cargo holds such that the operation had to be abandoned before all of the munitions had been recovered. What remains is approximately 1,400 tonnes of ordnance – TNT high explosive. As such the ship poses a real and ever-present danger to shipping and to the built-up regions of the surrounding shoreline. A large exclusion zone has been set up around the wreck, marked by buoys, it is watched permanently both visually and by radar, in order to remain vigilant against any disaster. 



Periodically navy divers are sent down to assess the state of the explosives. This is dangerous in itself due to the poor visibility in the silty waters which means the divers often have to work by touch. So far the cargo has remained stable enough that no action has been taken, but the wreck is effectively a ticking time bomb. If conditions deteriorate the bombs within could explode spontaneously. The Maritime and Coastguard Agency currently believe this risk is very remote, but a recent TV News report estimated that if the wreck were to explode it would cause major damage and serious flooding to the immediate surrounding area. A ship with a similar cargo, the Kielce, which sank in deeper water and further from the coast near Folkestone in 1946 exploded with a force which was equivalent to a 4.5 magnitude earthquake.



Return journeys always seem oddly quicker than outward bound ones, but it was also a chance for us to take in all the things we’d not seen on the opposite bank, the last remnants of riverine industries that have long used the river as a highway. The sun was getting low now and it put me in mind of Turner’s famous painting of the ghostly Fighting Temeraire being pulled by that fateful little steam tug to the breaker’s yard at Rotherhithe. The old yielding place to the new. It also made me recall the evocative closing passages in Joseph Conrad’s novels, The Nigger of the ‘Narcissus’ and The Rover, in which he describes the experience of standing on the decks of old sailing ships gliding up the Thames estuary and the network of mudflats and tidal channels threaded through the saltmarshes of the Kent and Essex coast. A low and level landscape well-suited to gloaming skies. You can’t help but think of all the remarkable and all the ordinary journeys throughout innumerable centuries which either began or ended in these tidal reaches. The comings and goings of an age of slower travel now flung up into the silent contrails of airliners passing sleekly overhead; modern time-machines that stretch or compress time in shrinking distances, effectively miniaturising the globe. 





A day spent on the Waverley gives you a real taste of living breathing history, as unlike other vessels, steam powered machines seem to be animated by a life-force of their own. By comparison the modern machines of today seem to be bland and identikit facsimiles of one another. It seems a shame we no longer build things quite so beautiful or so well-crafted in every detail as the Waverley. It’s a wonderful thing that she is still in operation, doing exactly what she was designed to do as a passenger steamer. And given the high number of passengers on-board throughout the day, it is good to see she is so genuinely well-loved and supported, even if it can feel a little crowded. We left the Waverley at Gravesend, but later caught up with her again at Limehouse after the sun had gone down. Where I managed to catch a final farewell in filming her steaming up the now placid millpond of the river, disappearing into a gorgeous red and purple sunset, heading back up to Tower Bridge at the end of a fabulously eccentric and thoroughly British day out.







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1 December 2018

"People Call The Romans, They Go The House?"





August, 2018. – As my friends and I emerged onto the dirt track leading out of the village all we could see were fields stretching to the horizon. It was a familiar view, but one which most of us hadn’t seen in some fifteen to twenty years. The smell of sunshine and tilled soil, dried grass and fresh air assailed each of us with a warm flood of memories. Shared memories of walking this quiet track together time and again; usually listening to the sound of the sun ripened corn cracking and popping in the warm sunshine, the breeze murmuring through the rippling tide of stalks stretching as far as the eye can see.

Very little appeared to have changed, but as we walked I couldn’t help thinking of all the things I’d done since I’d last trod this path; thinking of all the places across the globe I’d visited, and all the people I’d met in those fifteen or so years. A lot of water had flown under the proverbial bridge, but suddenly it seemed as if no time at all had passed. This was one of the places where for me a lifetime of archaeological adventures had begun. Suddenly one of our group noticed a flock of tall stalks with long, sleek white fins turning silently on the lip of the horizon.
“Look! – Tripods are advancing to attack the dig site!”
They did look incongruously modern, like the strange and sinister three-legged ambulating spaceships of John Christopher’s iconic trilogy of Sci-Fi novels, in which advanced alien overlords now rule an English countryside technologically regressed to medieval times. The wind farm itself was actually several miles away on the other side of the distant hum of the M1 motorway which, as I remember it, could only faintly and very rarely be heard if the wind was in the right direction. That’s one of the reasons why this spot was so special for us – it’s a place of total escape, into the serene quiet of the land.



During the 1990s we‘d all come here each summer for the first two weeks of August to take part in one of the longest running archaeological excavations in the country. It’ll be celebrating its fortieth anniversary next year. Run by a local group, called the Upper Nene Archaeological Society (UNAS), and directed by Roy and Liz Friendship-Taylor, near the village of Piddington in Northamptonshire, the site is a Roman Villa with traces of earlier settled occupation during the late Iron Age. The dig site has yielded a wealth of information regarding the Roman era in Britain. The Villa itself must have been quite grand. The floor plan shows a large building with two side wings, along with several out-buildings including a bath house and a stone-lined well which was excavated down to the bedrock with a votive niche set into the stonework near the waterline. It’s possible that the long, deep ditch which runs straight alongside the track leading down to the site itself dates back to the Roman era.

My brooch is the one on the top right


For many years my role here was to sit in a small rusty old caravan, cataloguing and describing the “small finds” – this meant I got to handle all the wonderful things everyone excavated, from fine ceramics, to delicate bone and bronze implements such as hair pins and finger nail cleaners, as well as coins and brooches; supervising the team sifting and sorting through heaving-great bags of broken animal bones, pot and tile sherds, and fragments of tesserae. From time to time I did some digging as well, and I was lucky enough on one occasion to find a gorgeous bronze brooch which still had traces of its original silver tinning.

At the time though, due to the nature of the work I was then doing as part of my day job back at the British Museum, I was very interested in lithics and so I often used to go fieldwalking when the field which surrounded the site where we were digging had been freshly ploughed. A short distance from the Roman Villa there’s a dip in the field, which was apparently the impression left by an old quarry pit (old but modern old, rather than ancient old). There must have been a lot of deeper material cast up in this area as a result of the quarrying because this was a spot where I used to find a lot of flint debitage – flakes, blades and occasionally blade cores, and every now and then a proper tool, like an arrowhead, or a flint scraper – the sort of implement which would have been used to clean and prepare skins and hides. Most of these finds were Neolithic, but the things I was really looking out for were the much older Mesolithic microliths. These are really hard to spot as they are very small worked slivers of flint which would have been set into the shafts of arrows (it’s almost impossible to find these without sieving the soil).

It’s hard to describe the feeling of spotting something shiny glistening in the wet mud and recognising it as a flint implement from a distance, then homing in and picking it up and thinking how – very probably – yours is the first human hand to pick it up in several thousand years who actually knows what it is and what it was used for. It’s a real deep connection to the past, which for me is a genuine thrill that goes to the very core of why I first fell in love with the subject of archaeology when I was a child.



I won’t go into the elaborate history of the Roman Villa dig site itself, as this has been done by others far better qualified to do so than me (you can read more in a recent article in Current Archaeology here). Instead I want to write something about the intangible side of practical archaeology; what it is actually like to take part in a dig. Firstly, these things take a huge amount of organisation – there were a lot of people from UNAS who all contributed in whatever ways they could. Those with connections to the Army used to arrange the loan of a couple of large canvas tents as well as a bowser to supply the dig with clean drinking water. One of the members took care of the catering, providing a hot lunch each day for the diggers, along with a copious supply of tea. The ritual tinkling of a triangle would sound out across the site to let the diggers know when grub was up or that the kettle had boiled. The members’ and diggers’ subscription fees paid for the provision of portaloos. 

The village pub - The Spread Eagle, Piddington


Many of the summer diggers were university students from all over the country and from overseas who camped on site. Waking up in your tent on a sun drenched morning, listening to the sound of the ripened corn popping in the heat was an idyllic way to start the day. Being close to the starting place of the Northamptonshire Hot Air Balloon Festival also meant that on some years you’d awake to the strange sound of burners blasting overhead in the crystal clear stillness of the early hours, or you’d see and hear them passing by at dusk as the sunset. It did sometimes rain, of course. These days weren’t quite so fun, especially for those camping – but if it was too wet to dig there was always the local pub to dry off in. I remember one such soggy afternoon, when walking through the village we encountered the remarkable sight of a legion of tiny frogs on the march all intrepidly crossing the rain soaked Rubicon of the road. Of course, many evenings, whatever the weather, were spent at the village pub (which itself dates back to the 1700s) playing board games, or pool, or darts – or playing Northamptonshire table skittles.



Over the years many of the diggers became regulars, returning each summer, our shared interests in archaeology and ancient history cementing friendships between contemporaries and across generations. All of us collaborating in a combined endeavour to open up a window into the distant past, meticulously recording all the things we found. Several of the regular students wrote their dissertations on aspects of the excavation and its finds, such as analyses of the baby burials, the coins, or the oyster shell middens discovered there. UNAS facilitated the publication of some of these studies alongside the standard dig reports. It’s an impressive example of how the dedication and professionalism of a non-professional society can facilitate and make a real contribution to the wider academic world of British archaeology.

My original sketch of the Piddington Gladiator Knife shortly after it was discovered in October 2000

One of the most memorable finds from the dig was made in October 2000 in a newly opened up area of the site. A small lump of iron and bronze was discovered in what had been one of the courtyard areas of the Roman Villa. Looking at the plan of the site I realised that I’d pitched my tent on this very spot for my first summer at the dig in 1994, and so I’d spent two weeks sleeping on top of this object! – When the lump was cleaned of soil it soon became clear that it was a folding pocket knife, with an iron blade and a bronze handle cast in the shape of a gladiator. By a strange quirk of coincidence I was then working as part of the team setting up an exhibition on gladiators at the British Museum, and so I was able to help identify the type of gladiator it depicted (a secutor), and I also helped to get the knife included in the exhibition as the very latest gladiatorial find from Roman Britain. The pocket knife was later written up in the journal, Antiquity (which you can read here). It’s now on long term loan to the BM and is on permanent display in the Roman Britain Gallery (Room 49). 

The Piddington Gladiator Knife (left) with a replica, made by Nodge Nolan (right)


It’s wonderful to think of the fact that this uniquely beautiful and extremely evocative artefact was seemingly lost at random, perhaps falling from a pocket or a bag in the wide expanse of a courtyard unnoticed or unfindable, waiting some 2000 years to be rediscovered. Even more fascinating to wonder at its story – it was very likely to have been bought as a souvenir in a more urban centre somewhere in the Roman Empire. Remains of gladiatorial arenas have been found in the UK, even an actual gladiator’s helmet as well (see here) – so maybe it was a souvenir from Verulamium (present day St. Albans), or perhaps it came from somewhere further afield, perhaps even from the Colosseum in Rome itself? – It’s not hard to imagine that whoever mislaid it was probably pretty dismayed when they realised it was lost. I wonder what they’d think of the fate that awaited their pocket knife thereafter, travelling through so many centuries only to be found and treasured again in a museum, displayed alongside some of the most amazing Romano-British artworks made of gold and silver, such as the Hoxne and Mildenhall Treasures. Our world, with our metal horseless thunder chariots and wax tablets which talk to us and show us pictures that move, would probably seem as strange, incongruous, and alien to the old Romans as John Christopher’s tripods do stalking and probing the lost medieval world of his science fiction novels.



I suspect that the original occupants of the Roman Villa would be surprised to know that so many centuries on people would be painstakingly sifting through the ruins of their home, setting up a small museum in the nearby village – thereby recreating a picture of their life and times for the present day locals and school children to remember and appreciate them. As regular diggers we often used to joke that the fact we were all drawn back to this magical place each summer over the course of a decade or so was perhaps because we were all reincarnations of the Romans who’d originally lived there – certainly, once you get involved with the world of archaeology, especially in joining a small, close-knit society like UNAS, it can feel a lot like a family. Hence returning after fifteen or twenty years, all of us having kept in touch throughout all that time because of our common interests, our deep sense of camaraderie and a shared silliness of humour, it was more than a reunion – in many ways, it was more of a homecoming. 

The jeweller's kiln


Walking back up that track after visiting the dig again, listening to the sound of the birds chirping in the hedgerow and the breeze gently soughing through the leaves of the tall trees, having seen some of the secrets the old Roman Villa was still revealing – such as a small jeweller’s kiln, and catching up with old friends there, it was quite a wrench to leave again. But the promise of a pint or two over an evening spent in good company at the village pub (another tradition universally adhered to by all good, self-respecting archaeologists) certainly eased the way!

You have to ask yourself though: “What have the Romans ever done for us, eh?” – Q.E.D: All roads lead to Rome, but for this little band of archaeologists all our memory lanes lead us back to this magic field steeped in the mists of both the ancient and our personal pasts. 



Read more on my interest in Prehistoric lithics (and a Viking battleground) here