Shandley Williams - Totem

Souvenir Series #1

I thought I’d begin the first blog post of the New Year by making it the first of my occasional ‘Souvenir Series’ too; and nothing makes more sense than to begin at the beginning – so here is the very first ‘souvenir’ I ever bought. That is to say, it’s the oldest art object / artefact which I purposefully collected and still own today. And, rather appropriately, it fits in well following on from my recent journeys along the north-west coast of the USA to Canada.

It’s a small wooden carving, 8 ½ inches or 21.5cms tall, painted in black, red, green and blue – perhaps carved from some sort of cedar wood. As you can see from the illustrations it depicts some kind of (mythical?) creature which stands on the back of what looks like a frog or toad while holding a fish. The back of the carving bears a signature in pencil: ‘Shandley Williams’, but no date.

I bought this piece – not in the USA or Canada – but in Cornwall, from a small bric-a-brac stall overlooking the sea whilst I was on my summer holidays in the late 1980s / early 1990s. How this item came to be on sale there I have no idea, but it’s now been in my possession for almost 25 years. I’ve just returned from a flying visit to Portland, Oregon and this, along with my recent travels in that part of the world last year, prompted me to finally try to find out a bit more about this little object.

I spoke first to a friend who lives in the region who showed a photo of the totem to a colleague of theirs who specialises in north-west coast art, and it seems like this figure is an unusual one. It doesn’t appear to represent a traditional motif and so seemed to suggest some kind of possibly European ‘hobby-craft’ origin, but – place of purchase isn’t always an indicator of true provenance – a check on the pencil signature would seem to suggest that there is some kind of connection to the NW Pacific coast. ‘Shandley Williams’ or ‘Leonard Shandley Williams’ seems possibly to have been a local artist working from around the late 1950s to the 1970s. Some of his work appears to have recently been sold or auctioned in the Seattle area as well as in Ontario, Canada too. Beyond that, I’ve not been able to trace any further information on the artist or his work. 

Consequently, any tips or further information would be very gratefully received! … Please do get in touch.

Other items which I’ve seen of his work on the web seem to include more traditional motifs, with the notched black-painted display base being a characteristic feature.

Working on various exhibitions over the years I’ve been lucky enough to have handled some genuine pieces of both ancient and more modern NW coast art – particularly pieces from the Haida, Tsimshian, and Nuu-chah-nulth peoples. Also, when I reached Vancouver at the end of my trip along the Cascades last year, I spent a morning wandering around the galleries of the University of British Columbia Museum of Anthropology – which has a truly fantastic collection of NW coast art, most famously including works by the Haida artist, Bill Reid (1920-1988), whose artworks are very well known in Canada and also feature on certain Canadian banknotes. It all brought back memories of undergraduate lectures on long houses, ‘sweat lodges,’ and the ‘potlatch' festival when I was doing my Anthropology BSc.

UPDATE: (June 25th 2014) Shandley Williams (1938-1986) was a NW Coast artist from a Ditidaht family, originating in Vancouver Island, B.C. Several generations of the Williams family were and still are to this day noted wood carvers. (See the comments below)

'The Carver's Life' - Seattle Met news article about John T. Williams, by Neal Thompson (April 22, 2011)

Ancient Site Under Threat - Mes Aynak, Afghanistan

Like the famous statues at Bamiyan, the ancient Buddhist site at Mes Aynak in Afghanistan - situated on the ancient trading route known today as 'the Silk Road' - is a place of distinct historical and archaeological importance.  And, like the Buddhas at Bamiyan, Mes Aynak is located in an area of modern political and economic complexity. 

And as such, Mes Aynak is a site under imminent threat of destruction. But this time the threat is not so much ideological as economic. The site, which is known to comprise several ancient Buddhist monasteries and adjacent settlements, is rich in sculptural and monumental remains of the finest Buddhist art and architecture. Its cultural significance is immense. In terms of 'world heritage' it is undoubtedly a site of great importance. Yet the meaning of the name – Mes Aynak – belies its problem; the name means “little copper well.” The site is known to sit atop a huge copper mineral deposit (recent geological surveys have shown that Afghanistan abounds in such mineral resources). In November 2007 a lease was granted to a Chinese mining company, granting them the sole rights to turn the entire area into a vast open cast mine. But in order to do so – the ancient remains of Mes Aynak will be completely destroyed, setting a worrying precedent.

Several small teams of foreign and local archaeologists are now racing against time, trying to excavate and document the site. They are working in extremely difficult and dangerous circumstances in what is still a very unstable region, risking their lives on a daily basis, trying to salvage as much as they can – but it is an enormous task. On December 25^th 2012 they have been told they must down tools and leave so that the mining works can begin.

Whilst no one could argue that Afghanistan is not in dire need of real economic investment and assistance, it seems clear that the exploitation of such natural resources needs to be properly monitored and managed by the Afghan authorities. The copper deposits are certainly a resource which would benefit the much beleaguered country, but surely no matter how much copper is there – it will only ever be a finite resource. Whereas the archaeological remains represent a much more long-lived potential resource, the preservation of which would certainly be of great benefit not just to Afghanistan, but also for the whole world too.

Despite the presence of the mining contractors there are genuine efforts currently under way to try and save Mes Aynak – but these efforts are still only small; more weight and momentum is needed. You can help in this effort.

Find out more in this report recently broadcast on CNN with additional info here. Read about the work of documentary filmmaker, Brent Huffman and his involvement with Mes Aynak here and here. The photos illustrating this blog post were taken by The Times Africa Correspondent, Jerome Starkey (sourced from Wikimedia Commons), and more of his photos of Mes Aynak can be seen here on his Flickr page. UNESCO on Mes Aynak.

You can also sign a petition asking Afghanistan’s President Hamid Karzai to help save Mes Aynak from destruction here.

UPDATE 2012: Here is an excellent piece just published in the New York Times by Andrew Lawler (December 23, 2012). There is also a second petition asking UNESCO to add Mes Aynak to its list of endangered world heritage sites. Please sign this one too!

FURTHER INFO: In 2011, to mark an exhibition of recent archaeological finds, the National Museum of Afghanistan in Kabul published this pamphlet illustrating the importance of Mes Aynak. Plus, the Central Asia-Caucasus Institute & Silk Road Studies Program has published a conference paper from 2012: Cultural Heritage vs. Mining on the New Silk Road? Finding Technical Solutions for Mes Aynak and Beyond.

UPDATE 2013: A recent and very informative article reporting on the current situation at Mes Aynak in Travel Culture Magazine by Michael Soncina (January 8, 2013). More info on the progress of saving Mes Aynak from the British & Irish Agencies Afghanistan Group (BAAG) website (January 14, 2013). The archaeologists there have been given more time, but pressure to save Mes Aynak still needs to be maintained.

Contested Terrain in Afghanistan - Development, Identity and the Destruction of an Ancient City in Afghanistan by Isaac Blacksin (Kyoto Journal #77)

Emma Graham-Harrison: Mes Aynak Highlights Afghanistan's Dilemma Over Protecting Heritage in The Guardian (May 23, 2013). 

An excellent, balanced, and informed write up by William Dalrymple in The Guardian Mes Aynak: Afghanistan's Buried Buddhist Treasure Faces Destruction (May 31, 2013).

To find the latest news on Mes Aynak search Twitter using the hashtag #MesAynak 

Brent Huffman - Documenting the Last Days of Mes Aynak

UPDATE 2024: "Taliban pledges to protect Buddhist city by mining underground - Afghan minister says that copper extraction by a Chinese company at Mes Aynak, an important archaeological site, will avoid damage to relics" The Art Newspaper (9 October 2024).